Melanie Ney is a multidisciplinary artist based on the Mid North Coast, originally from Melbourne. Her work spans drawing, painting, and sculpture, using materials as varied as nail polish, enamel, chalk paint, and salvaged beads.
Through recurring motifs like fairy wrens and clowns, Melanie explores themes of memory, grief, and perception. Her sculptural works often incorporate skulls and handmade torsos in plaster or cement.
Melanie’s exhibited locally and is emerging as a bold and emotionally resonant voice in the regional arts scene. She is currently working on expanding her online presence.
Q: Can you tell us a bit about your background? (Your name, where you’re based, how long you’ve been creating, and what drew you to the arts.)
A: Melanie Ney, I grew up in Melbourne. Have been drawing, sewing since my teenage years. I was a dressmaker, making wedding dresses. I’m the only one in my family to take on Artistic endeavours. I’ve always been in my own head. I was told a couple of years ago that I was on the Spectrum. I’m a very visual person.
Q: Can you tell us about the work you’re presenting and the story or concept behind it? (What are you showcasing? Is it part of a larger body of work or an ongoing project?)
A: I have such a diverse range, it’s always about pushing new ideas. Pushing and problem-solving in how things will work. My son passed away over four years ago. The Fairy Wrens I draw are about him. The clowns I do because I think clowns have a bad rap. There is a need to complete. Once it’s done I feel relieved.
Q: What materials, tools, or processes do you typically work with, and what draws you to them? (This might include instruments, performance styles, writing techniques, art materials, tools, etc.)
A: When I draw or paint, I will use whatever works. Watercolours, acrylic paint, enamel paint, nail polish, household paint, charcoal, ink and chalk paint. With the skulls, I will search the op shops for vintage pieces, Glass beads, and shiny beads. The skulls need to be prepared for the process. The nail and rivets are also used. All the torsos are made by me. Some in plaster and some in cement.
Q: How did it feel to participate in this exhibition/event/program? (What does this opportunity mean to you?)
A: Showing my work, maybe to get validation, but mainly, I know that my work is really good. Without being big-headed. I simply want it to be seen.
Q: What does participating in this exhibition/event/program mean to you professionally? (Feel free to reflect on growth, exposure, connections, or any personal milestones.)
A: I’m a bit of a hermit, so meeting like-minded artists is great. I’m pushing out of my comfort zone. I think that’s a good thing.
Q: How do you hope audiences will respond to your work or performance? (What impact do you hope it has on viewers, readers, listeners, or participants?)
A: I would love for the viewers to see and feel. I would love to hear from them how my art affects them, good, bad or otherwise.
Q: What’s next for you in your creative journey? (Upcoming projects, performances, publications, collaborations, or goals.)
A: To be honest, I’m not sure. I very much want to be seen. So obviously I need to be present on the internet. I’m working on that.
Q: Where can people find out more about you and your work? (Website link, social media handles, streaming platforms, publications, etc.)
A: At the moment it’s by email or contact phone. Also my heading is (excuse the pun): Heads, Skulls and Other Cool Stuff. I will be online soon. Mel can be contacted on: meljaneney@gmail.com
